Julia Alvarez


Biography

Although Julia Alvarez was born in New York City on March 27, 1950, her family moved to the Dominican Republic shortly after her birth, and it was there that she spent the majority of her childhood. In 1960, when Alvarez was ten years old, her family emigrated to the United States, fleeing the Dominican Republic because of Alvarez's father's involvement with an unsuccessful attempt to overthrow the Trujillo dictatorship. In New York, Alvarez received her primary education in boarding schools and realized while in high school that she wanted to pursue a career as a writer. In 1967, she began studying at Connecticut College; after two years, she transferred to Middlebury College, where, in 1971, she received her Bachelor of Arts degree summa cum laude. Alvarez also attended Syracuse University, from which she received her M.F.A. in 1975, and Bread Loaf School of English.

In the years since 1975, Alvarez has held various positions. From 1975 until 1978, she served as Poet-in-the-Schools in Kentucky, Delaware, and North Carolina. She has held positions as a professor of creative writing and English at Phillips Andover Academy in Massachusetts (1979-81), University of Vermont (1981-83), and University of Illinois (1985-88). In 1984, she was the Jenny McKean Moore Visiting Writer at George Washington University. Currently she is a professor of English at Middlebury College, having taught there since 1988.


Major Themes

Having spent the majority of her life in the United States, Alvarez considers herself an American, yet her writing bridges the realms of Latina and American culture. Her stories can often be traced to her Dominican roots, but they are flooded with insights about the human experience. She does not target her writing to a specific ethnic population; rather, she recognizes the similarities among all people and focuses her work in those commonalties. "I am a Dominican, hyphen, American," she comments. "As a fiction writer, I find that the most exciting things happen in the realm of that hyphen--the place where two worlds collide or blend together" (qtd. in Stavans 553). In her writing she strives to uncover the truths of human existence, truths that extend beyond any ethnic or gender barrier. In the words of Susan Miller, Alvarez "experiment[s] with the cross-fertilization of language and cultures" (77). Her works reflect the multiple identity she has assumed as a woman, a Latin American, and an American.

For Alvarez, writing serves several purposes. She says, "I write to find out what I'm thinking. I write to find out who I am. I write to understand things" (qtd. in Requa 2). Her responsibility to the reader lies in the expression of herself, in the sharing of the insights she has gleaned in her life. In an interview, she quotes Chekhov, who says "that the writer's not there to solve the problem, but to state the problem correctly" (qtd. in Requa 2). Alvarez has done a tremendous job of stating the problem in her beautifully written novels. Through the captivating stories of her characters' lives, she unveils such powerful issues as the male chauvinism characteristic of Hispanic families, the role of women under dictatorships, and the misogyny manifested in political structures (Stavans 555). Ilan Stavans describes Alvarez as daring "to turn the novel into a political artifact" (556).


Awards and Honors

  • Benjamin T. Marshall Poetry Prize from Connecticut College, 1968 and 1969
  • Prize from Academy of American Poetry, 1974
  • creative writing fellowship from Syracuse University, 1974-75
  • Kenan grant from Phillips Andover Academy, 1980
  • poetry award from La Reina Press, 1982 exhibition grant from Vermont Arts Council, 1984-85
  • Robert Frost Poetry fellowship from Bread Loaf Writers' Conference, 1986
  • Third Woman Press Award, first prize in narrative, 1986
  • award for younger writers from General Electric Foundation, 1986
  • grant from National Endowment for the Arts, 1987-88
  • syndicated fiction prize from PEN, for "Snow" grant from Ingram Merrill Foundation, 1990
  • Josephine Miles Award from PEN Oakland, 1991
  • selection as notable book from American Library Association, 1992, for How the Garcia Girls Lost Their Accents.

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    Works by Julia Alvarez

    Fiction

    How the Garcia Girls Lost Their Accents
    In the Time of Butterflies
    Yo!

     

    Poetry

    Old Age Ain't for Sissies (Editor)
    The Housekeeping Book
    Homecoming
    The Other Side/El Otro Lado

     


    Works about Julia Alvarez

    "Alvarez, Julia 1950-." (1997): 4 pages. Online. Contemporary Authors. Internet. 3 November 1997. Available: http://galenet.gale.com/

    Miller, Susan. "Family Spats, Urgent Prayer: Fiction: Celebrating the strength of Latinas." Newsweek 17 October, 1994: 77.

    Requa, Marny. "The Politics of Fiction." 4 pages. Online. Internet. 3 November 1997. Available: http://www.fronteramag.com/issue5/Alvarez/ Stevens, Ilan. "Las Mariposas." Nation 7 November, 1994: 552-556.

    Venegas, Margarita. "Ethnic Roots, love of storytelling fill novels of Julia Alvarez." (21 March 1997): 2 pages. Online. Creative Loafing Online. Internet. 3 November 1997. Available:http://www/creativeloafing.com/savannah/newsstand/ s032297/books.html


    Selected Bibliography

    "Alvarez, Julia 1950-." (1997): 4 pages. Online. Contemporary Authors. Internet. 3 November 1997. Available: http://galenet.gale.com/

    Miller, Susan. "Family Spats, Urgent Prayer: Fiction: Celebrating the strength of Latinas." Newsweek 17 October, 1994: 77.

    Requa, Marny. "The Politics of Fiction." 4 pages. Online. Internet. 3 November 1997. Available: http://www.fronteramag.com/issue5/Alvarez/

    Stevens, Ilan. "Las Mariposas." Nation 7 November, 1994: 552-556.

    Venegas, Margarita. "Ethnic Roots, love of storytelling fill novels of Julia Alvarez." (21 March 1997): 2 pages. Online. Creative Loafing Online. Internet. 3 November 1997. Available:http://www/creativeloafing.com/savannah/newsstand/ s032297/books.html


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    Author: Susan Walker, Fall 1997 (shwalke@emory.edu)

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    (Image of an "Homme Carrefour" from Donald J. Cosentino's Sacred Arts of Haitian Vodou [Los Angeles: UCLA Fowler Museum of Cultural History, 1995].)